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The House on the Borderland
William Hope Hodgson
Synopsis "The House on the Borderland"
A house seemingly disconnected in time and space becomes the setting for brutal conflict between the hapless homeowner and a collection of grotesque semi-human creatures in this landmark of fantasy and horror. The House on the Borderland is the account of a man, known only as the recluse, who moves into a remote and shunned house and unwittingly finds himself suspended between worlds, traveling through time, and fighting for his life against a siege of misshapen monstrosities. The author's sweeping imagination evokes a wide variety of fantastical effects, from eerie intimations of the weird to vivid manifestations of supernatural horror, from fabulous glimpses of otherworldly landscapes to direct combat with non-human assailants of murderous intent. First published in 1908, the novel quickly acquired a reputation as a rare and visionary example of cosmic horror that would influence and draw praise from H.P. Lovecraft, Clark Ashton Smith, Olaf Stapleton and others. As gripping and surreal as a fever dream, The House on the Borderland remains one of the most transporting destinations in literature./p> With an eye-catching new cover, and professionally typeset manuscript, this edition of The House on the Borderland is both modern and readable.
Nació en 1875, hijo de un clérigo de Essex, y desde muy temprano se hizo a la mar como tripulante de barcos mercantes. No obstante, Hodgson aborrecía aquella vida, y en cuanto tuvo ocasión la abandonó para dedicarse a otras labores y a escribir relatos llenos de misterio, terror y aventura, ambientados muchos de ellos en el mar, un mar peligroso y lleno de entidades monstruosas y barcos abandonados. A pesar de que durante años la obra de Hodgson permaneció en el olvido a causa de su temprana muerte en Francia, durante la Primera Guerra Mundial, truncándose así su carrera literaria, autores como H.P. Lovecraft, que hablaba con entusiasmo de su novela sobrenatural La casa en el confín de la tierra (en esta misma colección), o Clark Ashton Smith lo reivindicaron como maestro (junto a Ambrose Bierce y otros) de la naciente escuela norteamericana del Horror Sobrenatural.
