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portada Ink, Blood, and Linseed Oil: The Collective Writings of Artist Robert Williams
Type
Physical Book
Publisher
Year
2022
Language
English
Pages
160
Format
Hardcover
Dimensions
25.9 x 18.0 x 1.8 cm
Weight
0.64 kg.
ISBN13
9780867198874

Ink, Blood, and Linseed Oil: The Collective Writings of Artist Robert Williams

Robert Williams (Author) · Gwynned Vitello (Introduction by) · Darius Spieth Ph. D. (Introduction by) · Last Gasp · Hardcover

Ink, Blood, and Linseed Oil: The Collective Writings of Artist Robert Williams - Williams, Robert ; Vitello, Gwynned ; Spieth Ph. D., Darius

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Synopsis "Ink, Blood, and Linseed Oil: The Collective Writings of Artist Robert Williams"

A collection of essays and observations about the art world by artist Robert Williams. With a masterful career spanning decades, Williams has been a part of one of the most influential art movements of the past 60 years. This is a collection of Robert Williams' writings - 66 essays, a prologue, quantitative remarks, manifestos, an introduction by Juxtapoz publisher Gwynned Vitello and a postscript by Dr. Darius A. Spieth of Louisiana State University. The writing in "Ink, Blood, and Linseed Oil" details and expounds Williams' observations of the art world, and its nuances and contradictions. He reflects on the nature of art and being an artist, and the politics, sociology and anthropology surrounding it all. In the early 1990s, Robert Williams persuaded the publisher of skateboard magazine Thrasher to start an art magazine. Juxtapoz magazine launched in 1994 and shook the art world establishment by presenting the popular underground - out with museum shows and in with street art, comix, tattooing, erotic photography, figurative painting, illustration, and more. These art forms were celebrated, and the magazine found a wide and hungry audience. With each issue came an insightful editorial, penned by the godfather of lowbrow, Mr. Bitchin himself, Robert Williams. These essays, 22 years' worth and a few more, are collected in "Ink, Blood, and Linseed Oil." They are presented for your enjoyment, bewilderment, and for furtherance of the discussion of the philosophy of art.

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The book is written in English.
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