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portada invisible suburbs: recovering protest fiction in the 1950s united states
Type
Physical Book
Illustrated by
Year
2012
Language
English
Pages
182
Format
Paperback
Dimensions
22.9 x 15.2 x 1.1 cm
Weight
0.27 kg.
ISBN
1617033286
ISBN13
9781617033285

invisible suburbs: recovering protest fiction in the 1950s united states

Josh Lukin (Illustrated by) · University Press of Mississippi · Paperback

invisible suburbs: recovering protest fiction in the 1950s united states - Lukin, Josh

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£ 38.67

  • Condition: New
Origin: U.S.A. (Import costs included in the price)
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Synopsis "invisible suburbs: recovering protest fiction in the 1950s united states"

Were the 1950s an oppressive or a liberating time? Some scholars argue that the Red Scare, newly institutionalized discrimination against gays, and a public discourse saturated with sexism left wounds in American society. Others trace the origins of sixties liberation movements to the fifties and celebrate America's postwar prosperity or argue that such new phenomena as rock 'n' roll, teenage consumerism, and Beat poetry gave Americans a new sense of freedom and identity. Invisible Suburbs advances a new synthesis of both views from the perspective of literary scholarship. Essayists ask how overlooked literature in the 1950s addressed or anticipated the struggles of disenfranchised groups to receive rights and recognition. Scholars analyze the many ways in which the decade's culture stigmatized women, minorities, and the poor. They uncover work that illustrates how groups and individuals challenged or resisted that oppression, fiction by authors who sometimes found roots in earlier liberation movements and anticipated later struggles. Included, among other essays, are Ian Peddie's examination of how Nelson Algren, keeping alive his Depression-era outrage over class injustice, was condemned by Cold War critics but voiced attitudes that would be picked up by sixties authors and activists; Kathlene McDonald's essay showing how the feminism of Red Scare victim Martha Dodd took a similar path; Ladislava Khailova's writing on disability; and Jennifer Worley's exploration of lesbian pulp fiction of the decade.

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