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portada World Authorship (Oxford Twenty-First Century Approaches to Literature)
Type
Physical Book
Year
2020
Language
English
Pages
432
Format
Hardcover
Dimensions
24.6 x 17.3 x 3.3 cm
Weight
0.98 kg.
ISBN13
9780198819653

World Authorship (Oxford Twenty-First Century Approaches to Literature)

Tobias Boes (Illustrated by) · Rebecca Braun (Illustrated by) · Emily Spiers (Illustrated by) · Oxford University Press, USA · Hardcover

World Authorship (Oxford Twenty-First Century Approaches to Literature) - Boes, Tobias ; Braun, Rebecca ; Spiers, Emily

Physical Book

£ 164.96

  • Condition: New
Origin: U.S.A. (Import costs included in the price)
It will be shipped from our warehouse between Thursday, June 27 and Wednesday, July 10.
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Synopsis "World Authorship (Oxford Twenty-First Century Approaches to Literature)"

The original essays in Oxford Twenty-First Century Approaches to Literature mean to provoke rather than reassure, to challenge rather than codify. Instead of summarizing existing knowledge, scholars working in the field aim at opening fresh discussion; instead of emphasizing settled consensus they direct their readers to areas of enlivened and unresolved debate. Booksellers, authors, and academics have been talking about world literature since Goethe made the term fashionable in the early nineteenth century. Yet amidst all the talk of books that 'circulate' and literature as a kind of universal property that can function as a 'window on the world', how do we account for the people who live in real places, and who write, translate, market, and read the texts that travel on these global journeys? World Authorship breaks new ground by showing how to bring together the real-world contexts of authorship with the literary worlds of fiction. Written by world-leading academics and creative professionals including authors, translators, publishers, editors, prize jurors, and literary festival organizers, World Authorship updates Michael Foucault's 'author function' by significantly expanding the network of people and practices involved in literature. It covers keyword aspects of world authorship, grounding them in the study of actual literary texts to illuminate how literature is shared and made in different parts of the world and at different times in history. At the heart of all contributions, however, is one key question: where is the human element in world literature? By covering everything from 'Beginnings' to 'Voice', World Authorship provides the answer.

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