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portada Heaven is Empty: A Cross-Cultural Approach to "Religion" and Empire in Ancient China (Suny Series in Chinese Philosophy and Culture)
Type
Physical Book
Year
2018
Language
English
Pages
344
Format
Hardcover
ISBN13
9781438472010

Heaven is Empty: A Cross-Cultural Approach to "Religion" and Empire in Ancient China (Suny Series in Chinese Philosophy and Culture)

Filippo Marsili (Author) · State University Of New York Press · Hardcover

Heaven is Empty: A Cross-Cultural Approach to "Religion" and Empire in Ancient China (Suny Series in Chinese Philosophy and Culture) - Filippo Marsili

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Synopsis "Heaven is Empty: A Cross-Cultural Approach to "Religion" and Empire in Ancient China (Suny Series in Chinese Philosophy and Culture)"

Offers a new perspective on the relationship between religion and the creation of the first Chinese empires.Heaven Is Empty offers a new comparative perspective on the role of the sacred in the formation of China’s early empires (221 BCE–9 CE) and shows how the unification of the Central States was possible without a unitary and universalistic conception of religion. The cohesive function of the ancient Mediterranean cult of the divinized ruler was crucial for the legitimization of Rome’s empire across geographical and social boundaries. Eventually reelaborated in Christian terms, it came to embody the timelessness and universality of Western conceptions of legitimate authority, while representing an analytical template for studying other ancient empires. Filippo Marsili challenges such approaches in his examination of the reign of Emperor Wu of the Han (141–87 BCE). Wu purposely drew from regional traditions and tried to gain the support of local communities through his patronage of local cults. He was interested in rituals that envisioned the monarch as a military leader, who directly controlled the land and its resources, as a means for legitimizing radical administrative and economic centralization. In reconstructing this imperial model, Marsili reinterprets fragmentary official accounts in light of material evidence and noncanonical and recently excavated texts. In bringing to life the courts, battlefields, markets, shrines, and pleasure quarters of early imperial China, Heaven Is Empty provides a postmodern and postcolonial reassessment of “religion” before the arrival of Buddhism and challenges the application of Greco-Roman and Abrahamic systemic, identitary, and exclusionary notions of the “sacred” to the analysis of pre-Christian and non-Western realities.

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