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portada Afterlives of Endor: Witchcraft, Theatricality, and Uncertainty From the "Malleus Maleficarum" to Shakespeare
Type
Physical Book
Language
English
Pages
192
Format
Paperback
ISBN13
9781501772184

Afterlives of Endor: Witchcraft, Theatricality, and Uncertainty From the "Malleus Maleficarum" to Shakespeare

Laura Levine (Author) · Cornell University Press · Paperback

Afterlives of Endor: Witchcraft, Theatricality, and Uncertainty From the "Malleus Maleficarum" to Shakespeare - Laura Levine

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Synopsis "Afterlives of Endor: Witchcraft, Theatricality, and Uncertainty From the "Malleus Maleficarum" to Shakespeare"

Afterlives of Endor offers an analysis of the way early modern English literature addressed the period's anxieties about witchcraft and theatricality. What determined whether or not a demonologist imagined a trial as a spectacle? What underlying epistemological constraints governed such choices and what conceptions of witchcraft did these choices reveal? Pairing readings of demonological texts with canonical plays and poetry, Laura Levine examines such questions. Through analyses of manuals and pamphlets about the prosecution of witches--including Reginald Scot's skeptical The Discoverie of Witchcraft (1584), King James VI/I's Daemonologie (1597), and Jean Bodin's De la Demonomanie des Sorciers (1580)--Afterlives of Endor examines the way literary texts such as Shakespeare's The Winter's Tale and The Tempest, Spenser's The Faerie Queene, and Marlowe's Tragicall History of Doctor Faustus address anxieties about witchcraft, illusion, and theatricality. Afterlives of Endor attends to the rhetorical tactics, argumentative investments, and underlying tensions of demonological texts with the scrutiny ordinarily reserved for literary texts.

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