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Criticism, Performance, and the Passions in the Eighteenth Century: The art of Transition
James Harriman-Smith (Author)
·
Cambridge University Press
· Hardcover
Criticism, Performance, and the Passions in the Eighteenth Century: The art of Transition - James Harriman-Smith
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Synopsis "Criticism, Performance, and the Passions in the Eighteenth Century: The art of Transition"
Great art is about emotion. In the eighteenth century, and especially for the English stage, critics developed a sensitivity to both the passions of a performance and what they called the transitions between those passions. It was these pivotal transitions, scripted by authors and executed by actors, that could make King Lear beautiful, Hamlet terrifying, Archer hilarious and Zara electrifying. James Harriman-Smith recovers a lost way of appreciating theatre as a set of transitions that produce simultaneously iconic and dynamic spectacles; fascinating moments when anything seems possible. Offering fresh readings and interpretations of Shakespearean and eighteenth-century tragedy, historical acting theory and early character criticism, this volume demonstrates how a concern with transition binds drama to everything, from lyric poetry and Newtonian science, to fine art and sceptical enquiry into the nature of the self.
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All books in our catalog are Original.
The book is written in English.
The binding of this edition is Hardcover.
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