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portada Love and let Die: James Bond, the Beatles, and the British Psyche
Type
Physical Book
Publisher
Language
English
Pages
400
Format
Hardcover
Dimensions
21.3 x 16.3 x 6.9 cm
Weight
0.68 kg.
ISBN13
9781639363308

Love and let Die: James Bond, the Beatles, and the British Psyche

John Higgs (Author) · Pegasus Books · Hardcover

Love and let Die: James Bond, the Beatles, and the British Psyche - Higgs, John

New Book

£ 23.89

  • Condition: New
Origin: U.S.A. (Import costs included in the price)
It will be shipped from our warehouse between Friday, May 24 and Thursday, June 06.
You will receive it anywhere in United Kingdom between 1 and 3 business days after shipment.

Synopsis "Love and let Die: James Bond, the Beatles, and the British Psyche"

A deep-dive into the unique connections between the two titans of the British cultural psyche--the Beatles and the Bond films--and what they tell us about class, sexuality, and our aspirations over sixty dramatic years. The Beatles are the biggest band in the history of pop music. James Bond is the single most successful movie character of all time. They are also twins. Dr No, the first Bond film, and Love Me Do, the first Beatles record, were both released on the same day: Friday 5 October 1962. Most countries can only dream of a cultural export becoming a worldwide phenomenon on this scale. For Britain to produce two iconic successes on this level, on the same windy October afternoon, is unprecedented. Bond and the Beatles present us with opposing values, visions of the British culture, and ideas about sexual identity. Love and Let Die is the story of a clash between working class liberation and establishment control, and how it exploded on the global stage. It explains why James Bond hated the Beatles, why Paul McCartney wanted to be Bond, and why it was Ringo who won the heart of a Bond Girl in the end. Told over a period of sixty dramatic years, this is an account of how two outsized cultural phenomena continue to define American aspirations, fantasies, and our ideas about ourselves. Looking at these two touchstones in this new context will forever change how you see the Beatles, the James Bond films, and six decades of cross-Atlantic popular culture.

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