Millions of books in English, Spanish and other languages. Free UK delivery 

menu

0
  • argentina
  • chile
  • colombia
  • españa
  • méxico
  • perú
  • estados unidos
  • internacional
portada riotous performances: the struggle for hegemony in the irish theater, 1712-1784
Type
Physical Book
Year
2003
Language
English
Pages
368
Format
Paperback
Dimensions
22.5 x 16.4 x 2.5 cm
Weight
0.57 kg.
ISBN
0268040168
ISBN13
9780268040161

riotous performances: the struggle for hegemony in the irish theater, 1712-1784

Helen Burke (Author) · University of Notre Dame Press · Paperback

riotous performances: the struggle for hegemony in the irish theater, 1712-1784 - Burke, Helen

New Book

£ 45.58

  • Condition: New
Origin: U.S.A. (Import costs included in the price)
It will be shipped from our warehouse between Thursday, June 13 and Monday, July 01.
You will receive it anywhere in United Kingdom between 1 and 3 business days after shipment.

Synopsis "riotous performances: the struggle for hegemony in the irish theater, 1712-1784"

"Riotous Performances is a thorough and daring analysis of the theater as a cultural space. Through this work Burke recovers the voices of the dispossessed Irish and the non-elite members of the Dublin audience. I think it will be essential reading for those interested in Irish Studies and eighteenth-century English literature." --Christopher Wheatley, Catholic University of America Riotous Performances explores the significance of theater "riots" and other disruptive practices that occurred in Dublin playhouses between 1712 and 1784. Helen Burke's study reveals that during this period Irish theater was a site of struggle between different ethnic, religious, and class factions competing for power in eighteenth-century Ireland. Key players in this drama included Irish Protestant patriots, an emerging Catholic middle class, a dispossessed native gentry, and an increasingly politicized Dublin "mob." Burke contends that these groups expressed their resistance to the ruling British culture through explosive acts as well as through more subtle counter-cultural behaviors such as wearing Irish manufactured clothing, singing Irish songs, and opposing the Theater Royal. Using a wide array of primary materials, including dramatic texts, newspaper accounts, pamphlets, broadsides, and songs, Burke places the riotous performances she describes in their social and political context. Her analysis reveals that in the 1740s and 1750s the theater was the focus of intense struggles between Catholic-identified gentry reformers and Protestant-identified populist reformers. But by the1780s new, united Irish themes were emerging in Dublin playhouses. She argues that the Irish Parliament passed the first Irish Stage Act in 1786 to contain these revolutionary theatrics. Riotous Performances demonstrates that eighteenth century Irish theater was not a static colonial institution, but rather a deeply contested arena of intense ethnic, religious, and class struggle.

Customers reviews

More customer reviews
  • 0% (0)
  • 0% (0)
  • 0% (0)
  • 0% (0)
  • 0% (0)

Frequently Asked Questions about the Book

All books in our catalog are Original.
The book is written in English.
The binding of this edition is Paperback.

Questions and Answers about the Book

Do you have a question about the book? Login to be able to add your own question.

Opinions about Bookdelivery

More customer reviews