Synopsis "The Desert of Wheat"
Excerpt from The Desert of Wheat: A Novel Late in June the vast northwestern desert of wheat began to take on a tinge of gold, lending an austere beauty to that endless, rolling, smooth world of treeless hills, where miles of fallow ground and miles of waving grain sloped up to the far-separated homes of the heroic men who had conquered over sage and sand. These simple homes of farmers seemed lost on an immensity of soft gray and golden billows of land, insignificant dots here and there on distant hills, so far apart that nature only seemed accountable for those broad squares of alternate gold and brown, extending on and on to the waving horizon-line. A lonely, hard, heroic country, where flowers and fruit were not, nor birds and brooks, nor green pastures. Whirling strings of dust looped up over fallow ground, the short, dry wheat lay back from the wind, the haze in the distance was drab and smoky, heavy with substance. A thousand hills lay bare to the sky, and half of every hill was wheat and half was fallow ground; and all of them, with the shallow valleys between, seemed big and strange and isolated. The beauty of them was austere, as if the hand of man had been held back from making green his home site, as if the immensity of the task had left no time for youth and freshness. Years, long years, were there in the round-hilled, many-furrowed gray old earth. And the wheat looked a century old. Here and there a straight, dusty road stretched from hill to hill, becoming a thin white line, to disappear in the distance. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
