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portada the operatic and the everyday in postwar italian film melodrama
Type
Physical Book
Year
2013
Language
Inglés
Pages
240
Format
Hardcover
Dimensions
23.6 x 16.0 x 2.0 cm
Weight
0.54 kg.
ISBN
0748656421
ISBN13
9780748656424

the operatic and the everyday in postwar italian film melodrama

Louis Bayman (Author) · Edinburgh University Press · Hardcover

the operatic and the everyday in postwar italian film melodrama - Bayman, Louis

Physical Book

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Synopsis "the operatic and the everyday in postwar italian film melodrama"

Italian cinemas after the war were filled by audiences who had come to watch domestically produced films of passion and pathos. These highly emotional and consciously theatrical melodramas posed moral questions with stylish flair, redefining popular ways of feeling about romance, family, gender, class, Catholicism, Italy and feeling itself. The Operatic and the Everyday in Postwar Italian Film Melodrama argues for the centrality of melodrama to Italian culture. It uncovers a wealth of films rarely discussed before, including family melodramas, the crime stories of neorealismo popolare and opera films, and provides interpretive frameworks that position them in wider debates on aesthetics and society. The book also considers the well-established topics of realism and arthouse auteurism, and re-thinks film history by investigating the presence of melodrama in neorealism and post-war modernism. It places film within its broader cultural context to trace the connections of canonical melodramatists like Visconti and Matarazzo to traditions of opera, the musical theatre of the sceneggiata, visual arts and magazines. In so doing, it seeks to capture the artistry and emotional experiences found within a truly popular form. An engaging and informative read, The Operatic and the Everyday in Postwar Italian Film Melodrama is an essential resource for students and scholars in both Film Studies and Italian Studies.

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The book is written in English.
The binding of this edition is Hardcover.

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