Share
Title Sequences as Paratexts: Narrative Anticipation and Recapitulation (Routledge Studies in Media Theory and Practice)
Michael Betancourt (Author)
·
Routledge
· Hardcover
Title Sequences as Paratexts: Narrative Anticipation and Recapitulation (Routledge Studies in Media Theory and Practice) - Michael Betancourt
£ 48.59
£ 53.99
You save: £ 5.40
Choose the list to add your product or create one New List
✓ Product added successfully to the Wishlist.
Go to My WishlistsIt will be shipped from our warehouse between
Wednesday, June 12 and
Monday, June 17.
You will receive it anywhere in United Kingdom between 1 and 3 business days after shipment.
Synopsis "Title Sequences as Paratexts: Narrative Anticipation and Recapitulation (Routledge Studies in Media Theory and Practice)"
In his third book on the semiotics of title sequences, Title Sequences as Paratexts, theorist Michael Betancourt offers an analysis of the relationship between the title sequence and its primary text―the narrative whose production the titles credit. Using a wealth of examples drawn from across film history―ranging from White Zombie (1931), Citizen Kane (1940) and Bullitt (1968) to Prince of Darkness (1987), Mission: Impossible (1996), Sucker Punch (2011) and Guardians of the Galaxy, Vol. 2 (2017)―Betancourt develops an understanding of how the audience interprets title sequences as instances of paranarrative, simultaneously engaging them as both narrative exposition and as credits for the production. This theory of cinematic paratexts, while focused on the title sequence, has application to trailers, commercials, and other media as well.
- 0% (0)
- 0% (0)
- 0% (0)
- 0% (0)
- 0% (0)
All books in our catalog are Original.
The book is written in English.
The binding of this edition is Hardcover.
✓ Producto agregado correctamente al carro, Ir a Pagar.