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Venus and Adonis
Shakespeare, William
Synopsis "Venus and Adonis"
Venus and Adonis is a poem by William Shakespeare, written in 1592-1593, with a plot based on passages from Ovid's Metamorphoses. It is a complex, kaleidoscopic work, using constantly shifting tone and perspective to present contrasting views of the nature of love. It is written in a verse form known as sesta rima, which is a quatrain followed by a couplet (ABABCC). This form was also used by Edmund Spenser and Thomas Lodge. The poem consists of 199 stanzas or 1,194 lines of iambic pentameter. It was published originally as a quarto pamphlet and published with great care. It was probably printed using Shakespeare's fair copy. The printer was Richard Field, who, like Shakespeare, was from Stratford. Venus and Adonis appeared in print before any of Shakespeare's plays were published, but not before some of his plays had been acted on stage. It has certain qualities in common with the plays A Midsummer Night's Dream, Romeo and Juliet, and Love's Labour's Lost. It was written when the London theatres were closed for a time due to the plague. The poem begins with a brief dedication to Shakespeare's patron, Henry Wriothesley, 3rd Earl of Southampton, in which the poet describes the poem as "the first heir of my invention." The poem is inspired by and based on stories found in the Metamorphoses, a narrative poem by the Latin poet, Ovid (43 BC - AD 17/18). Ovid's much briefer version of the tale occurs in book ten of his Metamorphoses. Other stories in Ovid's work are, to a lesser degree, considered sources: the tales of Salmacis and Hermaphroditus, Narcissus, and Pygmalion. It was published about five years before Christopher Marlowe's posthumously published Hero and Leander, which is also a narrative love poem based on a story from Ovid. Venus and Adonis was extremely popular as soon as it was published, and it was reprinted fifteen times before 1640. It is unusual that so few of the original quartos have survived Adonis is a young man renowned for his incredible beauty. However, he is not interested at all in love; he only wants to go hunting. Venus is the goddess of love. When she sees Adonis, she falls in love with him, and comes down to earth, where she encounters him setting out on a hunt. She desires him to get off his horse, and speak to her. Adonis doesn't want to talk to any woman, not even a goddess. So she forces him, and then lies down beside him, gazes at him, and talks of love. She craves a kiss; he wants to leave and go hunting. He manages to get away, and he goes to get his horse. At that moment, his horse becomes enamored of another horse, who at first resists, but soon the two animals gallop off together, which keeps Adonis from going hunting. Venus approaches him, and continues to speak to him of love. He listens for a bit, then turns away scornfully. This pains her, and she faints. Afraid he might have killed her, Adonis kneels beside her, strokes and kisses her. Venus recovers and requests one last kiss. He reluctantly gives in. Venus wants to see him again, Adonis tells her that he can't tomorrow, because he's going to hunt the wild boar. Venus has a vision, and warns him that if he does so, he will be killed by a boar. She then flings herself on him, tackling him to the ground. He pries himself loose, and lectures her on the topic of lust versus love. He then leaves; she cries.
William Shakespeare (Stratford-upon-Avon, c. 23 de abril de 1564jul. - Ibídem, 23 de abril/3 de mayo de 1616) fue un dramaturgo, poeta y actor inglés. Conocido en ocasiones como el Bardo de Avon (o simplemente el Bardo), se le considera el escritor más importante en lengua inglesa y uno de los más célebres de la literatura universal.
Según la Encyclopædia Britannica, «Shakespeare es generalmente reconocido como el más grande de los escritores de todos los tiempos, figura única en la historia de la literatura. La fama de otros poetas, tales como Homero y Dante Alighieri, o de novelistas tales como León Tolstoy o Charles Dickens, ha trascendido las barreras nacionales, pero ninguno de ellos ha llegado a alcanzar la reputación de Shakespeare, cuyas obras hoy se leen y representan con mayor frecuencia y en más países que nunca. La profecía de uno de sus grandes contemporáneos, Ben Jonson, se ha cumplido por tanto: "Shakespeare no pertenece a una sola época sino a la eternidad"».
