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portada Women Made Visible: Feminist art and Media in Post-1968 Mexico City (The Mexican Experience)
Type
Physical Book
Year
2019
Language
English
Pages
408
Format
Hardcover
ISBN13
9781496202031

Women Made Visible: Feminist art and Media in Post-1968 Mexico City (The Mexican Experience)

Gabriela Aceves Sepúlveda (Author) · University Of Nebraska Press · Hardcover

Women Made Visible: Feminist art and Media in Post-1968 Mexico City (The Mexican Experience) - Gabriela Aceves Sepúlveda

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Synopsis "Women Made Visible: Feminist art and Media in Post-1968 Mexico City (The Mexican Experience)"

In post-1968 Mexico a group of artists and feminist activists began to question how feminine bodies were visually constructed and politicized across media. Participation of women was increasing in the public sphere, and the exclusive emphasis on written culture was giving way to audio-visual communications. Motivated by a desire for self-representation both visually and in politics, female artists and activists transformed existing regimes of media and visuality.Women Made Visible by Gabriela Aceves Sepúlveda uses a transnational and interdisciplinary lens to analyze the fundamental and overlooked role played by artists and feminist activists in changing the ways female bodies were viewed and appropriated. Through their concern for self-representation (both visually and in formal politics), these women played a crucial role in transforming existing regimes of media and visuality—increasingly important intellectual spheres of action. Foregrounding the work of female artists and their performative and visual, rather than written, interventions in urban space in Mexico City, Aceves Sepúlveda demonstrates that these women feminized Mexico’s mediascapes and shaped the debates over the female body, gender difference, and sexual violence during the last decades of the twentieth century. Weaving together the practices of activists, filmmakers, visual artists, videographers, and photographers, Women Made Visible questions the disciplinary boundaries that have historically undermined the practices of female artists and activists and locates the development of Mexican second-wave feminism as a meaningful actor in the contested political spaces of the era, both in Mexico City and internationally.  

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