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portada Home on the Rails: Women, the Railroad, and the Rise of Public Domesticity (Gender and American Culture)
Type
Physical Book
Year
2005
Language
English
Pages
292
Format
Paperback
Weight
0.85
ISBN
080785591X
ISBN13
9780807855911

Home on the Rails: Women, the Railroad, and the Rise of Public Domesticity (Gender and American Culture)

Amy G. Richter (Author) · The University Of North Carolina Press · Paperback

Home on the Rails: Women, the Railroad, and the Rise of Public Domesticity (Gender and American Culture) - Amy G. Richter

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Origin: U.S.A. (Import costs included in the price)
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Synopsis "Home on the Rails: Women, the Railroad, and the Rise of Public Domesticity (Gender and American Culture)"

Recognizing the railroad's importance as both symbol and experience in Victorian America, Amy G. Richter follows women travelers onto trains and considers the consequences of their presence there. For a time, Richter argues, nineteenth-century Americans imagined the public realm as a chaotic and dangerous place full of potential, where various groups came together, collided, and influenced one another, for better or worse. The example of the American railroad reveals how, by the beginning of the twentieth century, this image was replaced by one of a domesticated public realm - a public space in which both women and men increasingly strove to make themselves ""at home."" Through efforts that ranged from the homey touches of railroad car decor to advertising images celebrating female travelers and legal cases sanctioning gender-segregated spaces, travelers and railroad companies transformed the railroad from a place of risk and almost unlimited social mixing into one in which white men and women alleviated the stress of unpleasant social contact. Making themselves ""at home"" aboard the trains, white men and women domesticated the railroad for themselves and paved the way for a racially segregated and class-stratified public space that freed women from the home yet still preserved the railroad as a masculine domain.. NOTA: El libro no está en español, sino en inglés.

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