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La Novela Ecuatoriana del Siglo xix (in Spanish)
Flor Maria Rodriguez-Arenas; Raul Neira; Christen Picicci
Synopsis "La Novela Ecuatoriana del Siglo xix (in Spanish)"
During the nineteenth century in Ecuador, writers produced novels that contributed to literary movements and schools of thought within Spanish-American literature. Plácido (1871) by Francisco Campos and Entre el amor y el deber: Escenas de la campaña de 1882-1883 en el Ecuador (1886) by Teófilo Pozo Monsalve are serious contributions to Romanticism. El hombre de las ruinas... (1869) by Francisco Javier Salazar Arboleda, departs from a raw Realism, but ultimately arrives vigorously at the characteristics associated with Naturalism. Conversely, Soledad by José Peralta (1885) and Timoleón Coloma: Dibujos de costumbres quiteñas (1887) by Carlos Rodolfo Tobar represent the consolidation of the realistic novel during the last quarter of the century; shortly thereafter, Campana y campanero (1891), by Honorato Vázquez, expresses attachment to Ecuadorian fiction and turn-of-the-century Spiritualistic Realism. The selection of essays concludes with Titania (1892) by Alfredo Baquerizo Moreno, a novel that exhibits tension between aspects of Realism and Naturalism, and which ultimately inscribes its world of fiction within Spanish-American modernism. The collection ends with an analysis of Abelardo (1895) by Eudófilo Álvarez, a completely modern novel and precursor to the well-known «-isms» and unprecedented ideological changes of the twentieth century. La Novela Ecuatoriana del siglo XIX - Essays Flor Maria Rodriguez-Arenas (editor) Essays by: Flor María Rodríguez-Arenas • Raúl Neira • Christen Picicci • Danilo García Bernal • César Andrés Ospina Mesa • Patricia G. Carrasco • Jeimy García Sánchez on: «El hombre de la ruinas...» (1869) by Francisco Javier Salazar Arboleda • «Plácido» (1871) by Francisco Campos • «Soledad» (1885) by José Peralta • «Entre el amor y el deber: escenas de la campaña de 1882 y 1883 en el Ecuador» (1886) by Teófilo Pozo Monsalve • «Timoleón Coloma» (1887) by Carlos R. Tobar • «Campana y Campanero» (1891) by Honorato Vázquez • «Titania» (1892) by Alfredo Baquerizo Moreno • «Abelardo» (1895) by Eudófilo Álvarez
