Origin: Spain
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Mahomet, Tragedie. Par M. de Voltaire. Repre'sente'e Sur Le Theatre. [sic] de la Comédie Françoise. Le 9. Août 1742. (in French)
Voltaire
Synopsis "Mahomet, Tragedie. Par M. de Voltaire. Repre'sente'e Sur Le Theatre. [sic] de la Comédie Françoise. Le 9. Août 1742. (in French)"
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT301244Possibly printed in England.A Bruxelles [i.e. London?: s.n.], M. DCC. XLII. [1742]. [2], 70 p.; 8°
![portada Mahomet, Tragedie. Par M. de Voltaire. Repre'sente'e Sur Le Theatre. [sic] de la Comédie Françoise. Le 9. Août 1742. (in French)](https://images.cdn2.buscalibre.com/fit-in/360x360/c7/7f/c77f579283876d7a8b4c789a8d9f2e15.jpg "Mahomet, Tragedie. Par M. de Voltaire. Repre'sente'e Sur Le Theatre. [sic] de la Comédie Françoise. Le 9. Août 1742. (in French)")
