There are voices in this world that are born out of indignation. Minimal poética is one of those voices. In it, Leo Zelada recites his indignations before a father-deity called Wiracocha, of whom he is a favorite. He takes refuge in this God and finds a new venue to expose his heart in the language spoken by his Indian ancestors: the Quechua dialect. From there, he makes his new language known to the world: in the streets of Gaza and the Middle East, in North America and Spain. The language is new but the suffering and motivation for writing is the same: the pain of human existence, the indignation about injustice, the silence of repression.
