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portada Musica Ficta: (Figures of Wagner) (Meridian: Crossing Aesthetics)
Type
Physical Book
Year
1995
Language
English
Pages
176
Format
Paperback
Dimensions
21.4 x 14.1 x 1.2 cm
Weight
0.23 kg.
ISBN
0804723850
ISBN13
9780804723855
Edition No.
1

Musica Ficta: (Figures of Wagner) (Meridian: Crossing Aesthetics)

Philippe Lacoue-Labarthe (Author) · Stanford University Press · Paperback

Musica Ficta: (Figures of Wagner) (Meridian: Crossing Aesthetics) - Lacoue-Labarthe, Philippe

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Synopsis "Musica Ficta: (Figures of Wagner) (Meridian: Crossing Aesthetics)"

This is a pioneering attempt to rearticulate the relationship between music and the problems of mimesis, between presentation and re-presentaion. Four "scenes" comprise the book, all four of them responses to Wagner: two by French poets (Baudelaire and Mallarme), two by German philosophers (Heidegger and Adorno). It is dificult to realize how profoundly Wagner affected the cultural and ideological sensibilities of the nineteenth century. Wagnerism rapidly spread throughout Europe, partly because of Wagner's propagandizing talent and the zeal of his adherents. But the main reason for his ascendance was the sudden appearance of what the century had desperately tried to produce since the beginnings of Romanticism - a work of art on the scale of great Greek and Christian art. At last, here it was: the secret of what Hegel called the "religion of art" rediscovered. The first two scenes of the book present a historical sequence that is punctuated by the Franco-Prussian War and the Paris Commune, in which the universal unbridling of nations and classes is prefigured. The second two register certain effects of Wagnerism that are not just ideological but make themselves felt in a new political configuration of the "national" and the "social."

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