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portada Son of Trevor Lynch's White Nationalist Guide to the Movies
Type
Physical Book
Illustrated by
Language
English
Pages
216
Format
Hardcover
Dimensions
22.9 x 15.2 x 1.6 cm
Weight
0.47 kg.
ISBN13
9781935965855

Son of Trevor Lynch's White Nationalist Guide to the Movies

Trevor Lynch (Author) · Greg Johnson (Illustrated by) · Counter-Currents Publishing · Hardcover

Son of Trevor Lynch's White Nationalist Guide to the Movies - Lynch, Trevor ; Johnson, Greg

Physical Book

£ 36.50

  • Condition: New
Origin: U.S.A. (Import costs included in the price)
It will be shipped from our warehouse between Tuesday, June 18 and Monday, July 01.
You will receive it anywhere in United Kingdom between 1 and 3 business days after shipment.

Synopsis "Son of Trevor Lynch's White Nationalist Guide to the Movies"

Since 2001, Trevor Lynch's witty, pugnacious, and profound film essays and reviews have developed a wide following among cinephiles and White Nationalists alike. Lynch deals frankly with the anti-white bias and Jewish agenda of many mainstream films, but he is even more interested in discerning positive racial messages and values, sometimes in the most unlikely places. Son of Trevor Lynch's White Nationalist Guide to the Movies is his second collection of essays and reviews, covering 51 movies and 4 television shows, spanning a 14-year period, from his very first review (Mulholland Drive) to his last to date (The Hobbit: The Battle of Five Armies). Lynch offers penetrating and sometimes surprising philosophical readings of Ridley Scott's Blade Runner, Alejandro Jodorowsky's The Dance of Reality, the Coen brothers' A Serious Man, M. Night Shyamalan's Signs, and Francis Ford Coppola's Youth Without Youth; sympathetic interpretations of Bollywood musicals and Zhang Yimou's wuxia movies; and hilarious pans of Atlas Shrugged: Part I, Prometheus, The Hobbit trilogy, The Monuments Men, Machete, Predators, Secretary, Sucker Punch, and other worthy targets. Return of Trevor Lynch's White Nationalist Guide to the Movies cements its author's status as a leading cultural critic of the North American New Right.

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