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portada St Patrick's Breastplate - Hymn of the Ancient Irish Church - Words by Cecil Frances Alexander - Sheet Music Arranged for Mixed Chorus and Organ in G
Type
Physical Book
Language
English
Pages
18
Format
Paperback
Dimensions
27.9 x 21.6 x 0.1 cm
Weight
0.07 kg.
ISBN13
9781528707435

St Patrick's Breastplate - Hymn of the Ancient Irish Church - Words by Cecil Frances Alexander - Sheet Music Arranged for Mixed Chorus and Organ in G

Charles Villiers Stanford (Author) · Classic Music Collection · Paperback

St Patrick's Breastplate - Hymn of the Ancient Irish Church - Words by Cecil Frances Alexander - Sheet Music Arranged for Mixed Chorus and Organ in G - Stanford, Charles Villiers

Physical Book

£ 22.98

  • Condition: New
Origin: U.S.A. (Import costs included in the price)
It will be shipped from our warehouse between Friday, May 31 and Tuesday, June 18.
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Synopsis "St Patrick's Breastplate - Hymn of the Ancient Irish Church - Words by Cecil Frances Alexander - Sheet Music Arranged for Mixed Chorus and Organ in G"

This book contains the original musical notation for Charles V. Stanford's "St Patrick's Breastplate", a classical music composition for chorus and organ in the key of G, using the words from Cecil Frances Alexander's eponymous hymn. Cecil Frances Alexander (1818 - 1895) was an Anglo-Irish poet and hymnodist. Other notable works of hers include: "Verses for Holy Seasons" (1846), "The Lord of the Forest and His Vassals" (1847), and "Hymns for Little Children" (1848). Sir Charles Villiers Stanford (1852 - 1924) was an Irish composer, conductor, and teacher of music. He was educated at the University of Cambridge and continued his studies in Berlin and Leipzig. He was a very influential composer, responsible for making Cambridge University Musical Society an international acclaimed organisation. Stanford was also a profuse composer, producing a large corpus of work in many genres; however, he is perhaps best remembered for his Anglican choral works for church performance. His music eventually became overshadowed by that of Edward Elgar and a number of his former pupils in the 20th century. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in a modern, high-quality edition complete with a specially commissioned new introduction on the history of musical notation.

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