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portada The Arms-Bearing Woman and British Theatre in the Age of Revolution, 1789-1815
Type
Physical Book
Language
English
Pages
293
Format
Hardcover
Dimensions
21.0 x 14.8 x 1.9 cm
Weight
0.52 kg.
ISBN13
9783031154737

The Arms-Bearing Woman and British Theatre in the Age of Revolution, 1789-1815

Sarah Burdett (Author) · Palgrave MacMillan · Hardcover

The Arms-Bearing Woman and British Theatre in the Age of Revolution, 1789-1815 - Burdett, Sarah

Physical Book

£ 136.70

  • Condition: New
Origin: U.S.A. (Import costs included in the price)
It will be shipped from our warehouse between Thursday, June 06 and Monday, June 24.
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Synopsis "The Arms-Bearing Woman and British Theatre in the Age of Revolution, 1789-1815"

This book explores shifting representations and receptions of the arms-bearing woman on the British stage during a period in which she comes to stand in Britain as a striking symbol of revolutionary chaos. The book makes a case for viewing the British Romantic theatre as an arena in which the significance of the armed woman is constantly remodelled and reappropriated to fulfil diverse ideological functions. Used to challenge as well as to enforce established notions of sex and gender difference, she is fashioned also as an allegorical tool, serving both to condemn and to champion political and social rebellion at home and abroad. Magnifying heroines who appear on stage wielding pistols, brandishing daggers, thrusting swords, and even firing explosives, the study spotlights the intricate and often surprising ways in which the stage amazon interacts with Anglo-French, Anglo-Irish, Anglo-German, and Anglo-Spanish debates at varying moments across the French revolutionary and Napoleonic campaigns. At the same time, it foregrounds the extent to which new dramatic genres imported from Europe -notably, the German Sturm und Drang and the French-derived melodrama- facilitate possibilities at the turn of the nineteenth century for a refashioned female warrior, whose degree of agency, destructiveness, and heroism surpasses that of her tragic and sentimental predecessors.

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The book is written in English.
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