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The Crossing of the Visible (Cultural Memory in the Present)
Jean-Luc Marion
(Author)
·
James K. A. Smith
(Translated by)
·
Stanford University Press
· Paperback
The Crossing of the Visible (Cultural Memory in the Present) - Marion, Jean-Luc ; Smith, James K. A.
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Synopsis "The Crossing of the Visible (Cultural Memory in the Present)"
Painting, according to Jean-Luc Marion, is a central topic of concern for philosophy, particularly phenomenology. For the question of painting is, at its heart, a question of visibility--of appearance. As such, the painting is a privileged case of the phenomenon; the painting becomes an index for investigating the conditions of appearance--or what Marion describes as "phenomenality" in general. In The Crossing of the Visible, Marion takes up just such a project. The natural outgrowth of his earlier reflections on icons, these four studies carefully consider the history of painting--from classical to contemporary--as a fund for phenomenological reflection on the conditions of (in)visibility. Ranging across artists from Raphael to Rothko, Caravaggio to Pollock, The Crossing of the Visible offers both a critique of contemporary accounts of the visual and a constructive alternative. According to Marion, the proper response to the "nihilism" of postmodernity is not iconoclasm, but rather a radically iconic account of the visual and the arts that opens them to the invisible.
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All books in our catalog are Original.
The book is written in English.
The binding of this edition is Paperback.
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