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portada The Inspiration Machine: Computational Creativity in Poetry and Jazz
Type
Physical Book
Language
English
Pages
288
Format
Hardcover
Dimensions
22.9 x 15.2 x 1.9 cm
Weight
0.57 kg.
ISBN13
9780226828312

The Inspiration Machine: Computational Creativity in Poetry and Jazz

Eitan Y. Wilf (Author) · University of Chicago Press · Hardcover

The Inspiration Machine: Computational Creativity in Poetry and Jazz - Wilf, Eitan Y.

Physical Book

£ 124.96

  • Condition: New
Origin: U.S.A. (Import costs included in the price)
It will be shipped from our warehouse between Tuesday, May 28 and Thursday, June 13.
You will receive it anywhere in United Kingdom between 1 and 3 business days after shipment.

Synopsis "The Inspiration Machine: Computational Creativity in Poetry and Jazz"

Explores how creative digital technologies and artificial intelligence are embedded in culture and society. In The Inspiration Machine, Eitan Y. Wilf explores the transformative potentials that digital technology opens up for creative practice through three ethnographic cases, two with jazz musicians and one with a group of poets. At times dissatisfied with the limitations of human creativity, these artists do not turn to computerized algorithms merely to execute their preconceived ideas. Rather, they approach them as creative partners, delegating to them different degrees of agentive control and artistic decision-making in the hopes of finding inspiration in their output and thereby expanding their own creative horizons. The algorithms these artists develop and use, however, remain rooted in and haunted by the specific social predicaments and human shortfalls that they were intended to overcome. Experiments in the digital thus hold an important lesson: although Wilf's interlocutors returned from their adventures with computational creativity with modified, novel, and enriched capacities and predilections, they also gained a renewed appreciation for, and at times a desire to re-inhabit, non-digital creativity. In examining the potentials and pitfalls of seemingly autonomous digital technologies in the realm of art, Wilf shows that computational solutions to the real or imagined insufficiencies of human practice are best developed in relation to, rather than away from, the social and cultural contexts that gave rise to those insufficiencies, in the first place.

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